The Trial of a Time Lord 2: Electric Boogaloo is not the title of the release I am reviewing today, but perhaps it should be and I mean that lovingly. The War Master: Self-Defence was announced on the hook that the War Master would be sharing a story with David Tennant’s Tenth Doctor, and with this announcement I stopped paying attention to the releases of plot summaries which is why it threw me for a loop when at the end of the first episode the War Master is put on trial by a race of god like beings from before the Time Lords after an introductory adventure in the set sets up the premise. The middle stories are flashbacks, though one feels like it may just be a flash forward a la Terror of the Vervoids. There is also no adherence to the format of A Christmas Carol looking explicitly at past, present, and future, just an opener, what’s used by the prosecution, the defence, and the final verdict which brings the Tenth Doctor into the story. Like the best installments of The War Master: Self-Defence is hung on a very solid story arc where each episode serves some sort of purpose to layering the plot to a point that explores the genuine depths the War Master will go to get his way. Like Master of Callous before it, Self-Defence is one where everything is re-contextualised at the end and an emotional hit is pulled off that although you can see it coming from a mile away, it just clicks and enhances both the performance of Derek Jacobi as well as the side characters.
Out of Time has been an interesting little trilogy of stories, held together by the rather simple premise as the Tenth Doctor meets one of his previous incarnations and they have to fight a big villain. These releases were all recorded in 2020 when lockdown began and released annually with Wink being the final installment featuring the Tenth Doctor, the Sixth Doctor, and the Weeping Angels.
Yasmin Finney has joined the cast of Doctor Who playing the character of Rose and is filming scenes that are due to air in 2023 to coincide with the show’s 60th anniversary. Currently captivating audiences with her performance as Elle Argent in Heartstopper, Yasmin is receiving rave reviews across the globe.
Freema Agyemanreturns in her own triumphant trio of audio adventures, to be released in December 2021.
After more than a decade away from the TARDIS, the Tenth Doctor’s companion, Martha Jones, is returning to the world of Doctor Who, in a brand-new box set of full-cast audio drama from Big Finish Productions.
Out of Time was a release that couldn’t have come at a better time: we were reaching the fall and the COVID-19 pandemic was still getting worse and lockdowns were getting to people and Nicholas Briggs brought together Tom Baker and David Tennant in an exciting adventure with the Daleks. It was a fun release and with David Tennant’s availability due to the pandemic being more available to record from home, two further releases were announced where the Tenth Doctor meets the Fifth and Sixth Doctor set to be released in June 2021 and 2022 respectively. Well, it’s June 2021, if only by two days and Out of Time 2: The Gates of Hellsees the Fifth and Tenth Doctors in Paris, 1944 facing off against the Cybermen in the Catacombs. There’s also a Time Agent calling herself grapefruit but French. This is a script from David Llewellyn and he packs a lot into a single hour, almost too much for a single story to do. As the title is ‘Out of Time’, the idea is that Cybermen have been using the Transit of Venus, whenever the planet Venus passes directly in between the Sun and another planet (in this story Earth, obviously). It’s actually a really interesting idea with a piece of alien technology from the Cybermen being sent back in time and essentially being put into the hands of aristocrats to weasel their way to survive. This is a Cyberman story after all and it just feels right, though if there is one big and glaring issue with the story is that they don’t actually feel like a threat.Continue reading →
The Dalek Protocol started off the Dalek Universe miniseries with a fairly standard but enjoyable tale with no real connection to what would become the series at least based on the first set. And a day later, Dalek Universe begins itself properly with the first three stories in the miniseries being released to acclaim. To make what’s most likely going to be a long review short, Dalek Universe 1 is a brilliant start to the miniseries and if you haven’t already, go do yourself a favour and buy it. This is one of those sets that I cannot critically evaluate without losing my restraint on spoilers so from this point forward. You have been warned. Each installment of Dalek Universe 1 is truly part of a miniseries, blending together which helps as two of the episodes are from John Dorney, and the third deals with the character fallout from the previous two episodes before moving along to what will eventually become the conclusion of the set while transitioning into the second set. An interesting note, this set barely features the Daleks, like The Dalek Protocol before it, they are an off-screen presence bar a few scenes, the writers instead electing for setting this around the time of The Daleks’ Master Plan and dragging the Tenth Doctor out of time into his own personal timeline.