FrightFest is an internationally renowned genre film festival that takes place in London each year; but what is the secret of its success? That’s the subject of this documentary from director Chris Collier.
Podcasting is a relatively new medium that has it’s roots in the early 2000’s; with the term ‘podcasting’ believed to be coined around 2004. Thanks to pioneers such as Leo Laporte, Adam Carolla, Kevin Smith & Joe Rogan the medium has seen incredible growth in recent years; with thousands of podcasts worldwide covering every conceivable subject matter in many different languages. In 2013, Apple reported over 1 Billion podcast subscriptions on it’s iTunes Store. In 2015, podcaster & comedian Marc Maron interviewed sitting president Barack Obama in his garage. Awareness of the medium has also increased and has been featured in Movies and TV shows such as The Big Bang Theory. However, podcasting is still regarded as ‘new media’.
Interview by Jay Kay (Host of Horror Happens radio show).
With the latest incarnation of HORROR CHANNEL’S FRIGHTFEST ready to consume and infect on London August 25th through 29th , the DISCOVERY STAGE will showcase a variety of genre features that continue to rule the film festival circuit! A part of that group of selected films and filmmakers is Kansas City madman Patrick Rea! Known for his short film work around the world including PILLOW FIGHT, A HOWL OF A GOOD TIME, COUNTER PARTS as well as the 2013 thriller NAILBITER; Rea will be presenting his latest feature called ENCLOSURE. This tense and supernatural tale of isolation focuses on a married couple and the choices that they must make as their camping trip falls under siege by a variation of what could be called monsters. We grabbed Rea in between film projects to talk about ENCLOSURE, micro filmmaking, connecting casting and of course playing at FRIGHTFEST!
“I think the ‘container’ horror film really gets my creative juices flowing, because we have to really work hard to keep things interesting for the audience. It’s not easy making a film like this, despite not having many locations. It actually becomes way more challenging to find ways to keep the audience engaged while being in primarily one place.”