Review by Jacob Licklider
The Lone Centurion was kind of a dark horse for Big Finish Productions, coming in under the radar with a premise of being a spin-off set in between The Pandorica Opens and The Big Bang, in Roman times with Rory trying to survive while guarding the Pandorica and Amy inside of it. Because of an already vague premise it meant that the writers could really do anything with the premise, the first volume being a three part miniseries in the Roman empire while The Lone Centurion: Camelot does what it says on the tin, a three part miniseries in Camelot. There is one overall issue with the set, it follows the same formula as the first set to the letter with the first story being mostly set up of the world ending with Rory in a position of power that he doesn’t quite want, the second being an interlude leading to an ending with Rory at a low point, and the third being the finale ending with a large set piece as a conclusion before Rory moves on to pastures new. This isn’t necessarily a bad thing, formulas work for a reason and there are plenty of amazing stories that follow established formulas, but for a spin-off it isn’t something that can always be relied upon to the letter. Going forward Big Finish will have to mix things up if the want this spin-off to stay interesting. That isn’t to say the formula can’t be followed, it just needs to be mixed up a bit, especially if there is going to be a third box set. The Lone Centurion: Camelot also has an interesting setting, being mostly fictional and not really based on anything in history while doing three stories in a pure historical mood. There aren’t any science fiction elements outside of the Pandorica being a McGuffin that the villain of the set is after, the fact that Rory is an Auton. Some of the science seems a bit too advanced for the era, but there are no instances of magic or sorcery that you would expect from a King Arthur legend.