2016 was an incredible year for short form filmmaking. Many filmmakers offered unique, complex, homage filled and clever projects that took the viewers at film festivals on journeys into the dark corners of horror. It was truly astonishing to witness so many levels of filmmaking from diverse storytelling to crafted cinematography to heart racing scores to old school practical FX to themes and troupes molded into twisted new visions. Take some time and witness this filmmaking magic and visit film festivals to see the next generation of filmmakers who take the challenge of short form filmmaking and turn them into some of the best moments of your year! Thanks to INDIE MAC USER for posting this list of my ten favorites!
PILLOW FRIGHT is Written and Directed by Patrick Rea as a part of the anthology film FUN SIZE HORROR: VOLUME 2.
“I would say that one of my influences on PILLOW FRIGHT was Gremlins which I think does a great job of blending horror and comedy also “Attack of the Killer Tomatoes”
– Patrick Rea
From new director Dammie Akinmol and writer/cinematographer Kazi Zaman
comes a brand new British noir short; Board to Death. It is produced by a collective called ‘Broken Lens Productions’.
We follow a husband (Joshua Expositio) who is incredibly paranoid and vengeful. He suspects his wife (Victoria Ashford) of being unfaithful and we follow him as he hunts down those who have he feels disrespected his wife and his marriage. Performed mostly as voice-over; Expositio does a great job of creating the seeds of a complex character that is one part villain and one part victim in a larger game that we discover later in the piece.
This alone is enough to maintain interest; supported by some other pop-up characters that range from bar-tenders to priests. The flow is also propelled by a constant techno/ambient score that carries the piece along and builds momentum to the inevitable conclusion.
The noir genre has had somewhat of renaissance in recent years; thanks in part to big-budget film’s such as Sin City (Robert Rodriguez); it is once again stylistically acceptable. A lot of effort has been made in this piece to create this especially with the cinematography and it is very successful in this respect. Visually it maintains a consistent black & white noir look with a generous use of backlight. It also has that dark and menacing feel we have come to expect.
However; I can’t help but feel this is noir for noir’s sake…and it would be nice to see some of the film-makers own creative flair come into play. All that said, this piece shows some promise and I look forward to what this production team will do next.